Sue Wrbican, Bodies We Inhabit And Doctrine Of Signatures

May 9, 2023

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Sue Wrbican
From left to right: Sue Wrbican, “Ship Split #1” (2019), archival pigment print on Moab paper, 30 x 27 inches; Noël Kassewitz, “The Abduction of Europa, After Coypel” (2019), acrylic on canvas, pool float, inflatable doll, expanding marine foam, found buoy and tag, brass tacks, photo documentation, 36 x 60 x 14 inches (photo by Vincent Wong-Crocitto, courtesy NARS Foundation)
From left to right: Sue Wrbican, “Ship Split #1” (2019), archival pigment print on Moab paper, 30 x 27 inches; Noël Kassewitz, “The Abduction of Europa, After Coypel” (2019), acrylic on canvas, pool float, inflatable doll, expanding marine foam, found buoy and tag, brass tacks, photo documentation, 36 x 60 x 14 inches (photo by Vincent Wong-Crocitto, courtesy NARS Foundation)

Two current exhibitions are worth seeing at the NARS Foundation in Brooklyn: Bodies We Inhabit, curated by Jessica Duby, brings together 10 women and nonbinary artists who reflect on our relationship with the earth and the harm we’re doing to it (though we’re really only harming ourselves). The other, a solo exhibition by NARS resident artist Nicki Cherry, is a personal meditation on chronic pain, mitigated best by the healing power and beauty of the natural world. —Hakim Bishara

 Hyperallergic

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School of Art